Thursday, 3 September 2015

Writting Fiction - Pacing

Dear potential author,

Pacing your novel is extremely important.  Without the correct pacing, your novel will be boring.  I repeat.  It will be boring.  

Keeping the reader's attention

Keeping your reader's attention is vital if you want to compete in today's market.  Setting the correct pace in the beginning will ensure they stick around until the end.

E.g 

James walks the dog.  He meets Sally.  Returning he makes himself a cup of coffee.

Rewrite – “Rover!”  James howler.  “Come, boy, we are running late.”
Rover’s nails make scratching sounds on the tiles as he rounds the corner.  James smiles as he obediently sits in front of him.  Tail wagging.  “Are you ready?”  Woof.  Woof.  James tie the harness around his quivering body and heads out.
“Hallo Sally.”  He greets his next-door neighbour when he reached the sidewalk.
“Oh.  Hi James.” 
She pats Rovers head.  “Hi Rover.”  Woof.  Woof.  Rover barks excited and licks her hand.  “Are you two off again?”
“Why don’t you join us?”
She smiled polite.  “Maybe next time.”
Internally, James sighs.  You always say that, but someday you will say yes.  “See you Sally.”
“Bye James.  Bye Rover.”

Can you see the difference?  No, it’s not that there are more sentences.  I added sound, visual and touch/feel.

What is pacing?

Pacing is the speed at which the novel start and end.  It’s a bit like climbing a mountain, driving a car or just ordinary life.  You don’t experience it the same every day.  Some days are easy others are filled with drama.

Ways to implement pacing

There are a couple of ways to implement pacing.

Action – war, fighting, hijackings, rivalry, life or death, flat tire.  I think you get the picture.

Cliff hanger –Try to leave your reader with an unanswered question, a revelation or at the end of a chapter.  But for Pete’s sake.  Don’t do it at the end of the novel.  That will royally tick of the reader, including me.

Dialogue –This is where pacing gets propelled.  It is the fuel of good novels.  Dialogue in novels is no different than dialogue in real life.

Flashbacks – mainly for past tense use or plot development, but great for pacing if used correctly.

Scene or view changes – dreams, character viewpoints, different places.

Short chapters – honestly, this is very important.  Short chapters make the overall feel of the novel better.  Reads better and helps the novel move along.

Show, don’t tell – it is quite easy to fall into the habit of telling rather than showing.  Think movies when you are writing.

Sound – Sound will assist any action or scene in increasing pace.  Remember what I said about showing.

Suspense/prolonged outcome –This is a page-turner.  Caren gets a flat tire in the desert.  The spare tire is also flat.  There is no cell phone reception in this part.  She has a bottle of water, which won’t last her long.  What will happen to her?  Readers want something to make them turn the pages.  Ask questions like.  Why is the tire flat?  It is all about revealing it slowly but surely.  Just like a strip tease.  J  Sorry I am visual.  I could use an onion for example, but it wouldn’t have the same effect.

Proper pacing

Proper pacing is difficult at first.  It is a bit like riding a roller coaster.  You will have your ups and downs.  To properly pace your novel, you will have to build it in layers like an onion.  How are you going to do that?  By using questions, of course.

E.g.  Sue goes to town.

What is the best thing that can happen?

  • ·       She wins the lottery
  •         Meets a long lost friend.


What is the worst thing that can happen?

  • ·         She left her wallet at home.
  • ·         Makes a car accident.
  • ·         Gets an speeding ticket
  • ·         Gets kidnapped.

How to speed up or slow down pacing?
Slow pacing is all about the description.  In other words.  Detail.
Speeding pacing up is as easy as pie.  You need to use shorter sentences, even one word will do.
E.g  - Kelly and Richard navigate their way down to the base of the mountain.
“Lovely.”  Kelly commented as her eyes swept over the landscape.
“Not as lovely as you.”  He added.  (It’s cheesy, but bear with me.)
Growl!
“What was that?”  Kelly asked, glancing sideways.  Richard followed her direction.  “Mountain lion.”  She whispered.
“Get into the tree!”  He snapped.
“What about you?”
“Just do it!”  Slowly he lowered his pack.  Took out a metal cup and plate.  God, I hope this works.
Bang-bang-bang-bang!  He beats them together.
Growl!  The lion roared frightened, before running in the other direction.

What I did here was the following:

My pacing was slow.  Then I added sound to speed it up and down.  I am a firm believer in showing, not telling.  

I think you will find this blog informative.  At least I hope you do.

Until next time,

Just write

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